In
“Sleeping Dragon,” a sixty-five million year old stone capsule is discovered at
a fossil dig outside Reno. The object’s discoverer, Merrick (Kin Shriner)
brings it to a local university for further study, but the professor (Russell
Johnson) there has grave doubts about its authenticity, even if his beautiful daughter,
Lisa (Beth Toussaint) believes the evidence of their eyes.
The
trio attempts to pierce the ancient capsule with a laser drill, and a
carnivorous prehistoric reptile emerges, one that possesses a great, if
malevolent intelligence.
Merrick
postulates that perhaps some dinosaurs survived the Great Extinction by going
into hibernation in capsules of these types. His hypothesis that proves
frighteningly accurate when another four hundred capsules are discovered in the
desert…
“Sleeping
Dragon” is actually the first episode of Monsters I remember watching on
broadcast TV, in the fall/winter of 1988. The story is practically a bottle
show, set in one room -- a college laboratory -- and in this case the monster
of the week, the dinosaur, isn’t terribly convincing.
Yet
this is a taut, well-directed show that transmits a strong sense of
claustrophobia and danger. Outside the laboratory, the snow relentlessly falls
and inside the (intelligent) dinosaur has cut the power, trapping its human
prey in darkness.
Monsters often plays like a traditional,
Grade B, 1950s horror movie, and this episode even has a veteran of that era
(and This
Island Earth [1951]), Russell Johnson playing a wrong-headed
scientist At one point, the professor
attempts to talk reason to the dinosaur and he is promptly eaten alive for his
troubles. We have seen moments like this
both in Howard Hawks’ version of The Thing (1951) and George Pal’s War
of the Worlds (1953).
But
the quality that makes “Sleeping Dragon” hold up today is its core conceit of a
dinosaur civilization that saw the end coming and took steps to survive it. These
clever dinosaurs went into suspended animation and waited for the climate to be
more to their liking.
Now,
their “alarm clocks” are going off, and they are awakening in the human
world.
This
is not entirely unlike the Silurian/Sea Devil stories in Doctor Who, but Monsters
tilts the narrative towards terror by associating the intelligent dinosaurs
with early man’s legends of dragons.
Perhaps some of these creatures awoke generations ago and confronted
mankind. He thus created the dragon stories to describe encounters with them.
Also terrifying is the notion that even though they are “civilized” enough to
create suspended animation chambers, the dinosaurs refuse to recognize mammals
as intelligent beings.
The
episode’s denouement -- which reveals that three-hundred and ninety-seven new
predators will soon be on the prowl -- is appropriately chilling, and it made
me consider that someone could make a pretty good horror movie today out of
this premise.
With
a little more dough, such a film needn’t be limited to one room. Instead, it
could be the story of a dinosaur civilization awakening --- hungrily – in the
midst of our own. Throw in a message about climate change, and the way we are
reshaping the planet to be more to a reptile’s liking, and you’ve really got
something.
This one is tons of fun.
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