While
Liz (Lisa Harrow) and Rudi (Christian Quadflieg) must re-think their escape
plans on Medusa, Adam (Pierre Brice) and Fulvia (Judy Geeson) begin to
acknowledge their feelings for one another on Earth.
Fulvia
has been lecturing about life on Medusa to the Grand Council of Women, a militant feminist group. These women are “encouraged” to learn that Medusan women used
reason to convince men that women should rule their planet. Those who didn’t
listen to reason contended, however, with "discipline.”
Meanwhile,
it is announced that Earth has but two weeks to send back Adam, or there will be a
diplomatic incident with Medusa. Adam realizes that if he reconciles with Fulvia, there is
a possibility that Octavia would allow them to remain on Earth…and live
together. This could be his only chance to live free from Medusa.
Accordingly,
Adam and Fulvia decide to move into the suburbs together, and share blissful
domestic existence together.
Adam will stay at home and tend to the house, and
Fulvia will have a career working for the British government. This living arrangement collapses, however,
after Fulvia becomes jealous of Adam’s interactions with a British housewife.
Meanwhile, the group of militant feminists steal two of Fulvia’s advanced Medusan weapons, and set
about launching an insurrection against the men of Earth.
“The
Perfect Couple” may be the silliest episode of Star Maidens (1976) thus far.
Here, Adam and Fulvia decide to play house in a suburban community, but find
that the normal “gendered” roles of 20th century Earth don’t seem to
suit them.
The episode features a funny, unconventional montage of their life together, playing
house. We see Fulvia working in a garden, and Adam mowing the lawn (via Medusan
remote control), for example.
In
the episode’s most ridiculous moment, Adam and Fulvia attempt to explore the
Earth custom of “going to the pub,” with predictable fish-out-of-water results. Fulvia attempts to tell a dirty joke.
The
sub-plot of the week involves militant feminists in Britain, who steal advanced
weaponry from Fulvia and launch an ill-fated insurrection.
At first, I thought the episode really
treated these characters shabbily, as stereotypes and two-dimensional
characters. As such, it seemed the episode was mocking feminism, and, in doing so, equality itself.
And then I remembered the previous episode “The Trial.” In that story, Rudi joins a rebel group on
Medusa; one similarly attempting to over-turn a sexist order.
So
what we have in “The Perfect Couple” is a mirror-image of that tale, with
feminists of the seventies representing the rebels of Earth.
What are we to
understand from these mirror plot-lines? I suppose only that both systems are
flawed, and that there are those on each planet fighting against what is
perceived, culturally, as the “natural order."
The men, as you may recall, were vexed, because they did not have backbone. They could not disobey the women of Medusa. The women, in this episode, are defeated by their incompetent handling of the alien weaponry.
Neither rebel group is held up as a worthwhile solution to the planetary war of the sexes.
Of
course, it’s strange and insulting in “The Perfect Couple” that Shem (Gareth
Thomas) continues to refer to the advanced weapons themselves as female. “These are female weapons!” He exclaims “They
can be temperamental.”
Cuz men are never temperamental, right?
The
line is played straight, but it is difficult to discern intent and tone here.
Is the intent to mock such “gendered” labels? Or is doubling down on such
labels?
I
can’t say that I know the answer for certain, only that “The Perfect Couple,” while often
ridiculous, is certainly the most provocative episode of the series so far. It
dares to show the audience that Medusa isn’t the only sexist society in the
universe.
Next
week: “What Have They Done to the Rain?”
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