In
“Fly Now, Vacuum Later,” Weenie the Genie (Billie Hayes) conjures a
magic/flying carpet to transport Mark (Butch Patrick) home.
Hoo
Doo (Charles Nelson Reilly) attempts to stop his escape by summoning, in
response, a giant flying vacuum cleaner. It intercepts the carpet in flight and
captures Mark.
Mark
is forced to walk a plank atop Hoo Doo’s top hat HQ, and Weenie must arrange a
rescue, using the flying carpet.
Well,
just as I feared, Lidsville (1971 -1973) possesses no short term memory. Even
though last week a map promised an escape (via a golden ladder), that escape
possibility is not brought up in this, the very next episode.
Instead,
the new plan is to use a flying carpet to escape.
Irritatingly,
by the end of the episode, the flying carpet isn’t even used for an escape
attempt, once Mark is rescued. Who wants
to bet that it too is forgotten, as an escape option, in next week’s episode?
The
problem, of course, is that each episode of the series seems to exist in its
own standalone universe. There’s no learning from show to show, no development
from episode-to-episode. Before anyone
states that programs didn’t develop like that in the 1970s, I would only point
out that Sid and Marty Krofft’s Land of the Lost (1974-1977) did
feature a consistent universe, with consistent rules, and “set points” (like
pylons, or the Sleestak city) that were remembered by the Marshalls.
Lidsville, so far, isn’t in the same league.
This
episode is memorable mainly for the Charles Nelson Reilly Hoo Doo scenes. Here, he gets a musical number and sings “It’s
So Much Fun Being Rotten.” Also, the
actor breaks the fourth wall and makes eye contact with the camera on at least
two occasions. His performance is
certainly over-the-top, but it has the virtue of recognizing just how over the
top it actually is. He’s in on the joke.
This
episode, like last week’s, ends with Hoo Doo’s ritual humiliation. This doesn’t do much for his power to menace.
Lidsville operated under the Gilligan's Island mentality. That is, the main character(s) could never leave the show's setting or there would be no show, but they had to keep making new attempts to leave...or there would be no show. Even as a kid, I saw through the absurdity of all this, but accepted it as the way television worked. Land of the Lost actually surprised me with its continuity and plot twists. It was a huge inspiration to me as a burgeoning writer.
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