C.W.
(Alan Fudge) accidentally spills a strange formula in his morning coffee, and
turns into a hairy brute, a Mr. Hyde-type creature.
Almost immediately, he steals money,
jeopardizes the institute, and comes on to a gangster boss’s lovely girlfriend.
After
Mark (Patrick Duffy) and Elizabeth (Belinda J. Montgomery) contend with an
underwater probe that has been programmed to self-destruct, they must extricate
C.W. from the mess he has made for himself…
One
can only wonder what was going on behind-the-scenes of Man from Atlantis about
mid-way through its first season.
In a matter of weeks, Mark Harris travels to
the Old West, and into the play Romeo and Juliet. And here his boss, Alan Fudge’s
C.W. Crawford, relives the famous Dr. Jekyll/Mr. Hyde scenario.
This was supposed to be a series about an
amnesiac water breather exploring the ocean and going in search of his past and
background.
Instead, it has become a weird and often incoherent fantasy series.
The
episode’s set-up is unforgivably crude too. Mark and Elizabeth are working on a
strange formula in their lab at the Foundation for Oceanic Research, when C.W.
blunders in and puts his full coffee cup right underneath the spigot for the
device containing that formula. Naturally, it drips in, contaminating the drink, and nobody notices.
Again,
I can only presume a terrible rush during production and a choking desperation to get
anything filmed…anything at all. But off-the-mark (pardon the pun...) stories like this truly undercut the series, and the dignity of a great cult-TV
character: Mark Harris.
He deserves
better than to be landed in stories like this; ones that don’t play to his strengths or heroic journey.
It
would be one thing to do an episode like “C.W. Hyde” if C.W. had been anything
more than a very minor character at this point in series history. Richard Anderson’s Oscar
Goldman became -- through years of meaningful appearances -- a beloved character on The Six
Million Dollar Man and The Bionic Woman.
In this episode, Elizabeth notes how C.W. is the “world’s most reliable
man,” and so forth; and that his behavior here is so strange. Yet we have no frame of reference to support her
comments. We don’t know whether C.W. is
a hot-head or a calm, or much of anything at all.
He’s been given so little screen-time that this episode doesn’t play as
particularly effective, or even interesting.
The
episode grows even more risible when the same Dr. Jekyll/Mr. Hyde formula gets poured on the gangster,
Lou (Val Avery) and it turns him not into a monster, but into a good person
instead.
All in all, this is like something you expect
to see in a thirty-minute cartoon, not a fully articulated, prime time science
fiction TV series.
Now, you might claim that this was a children's show, but that is clearly not the case. Man from Atlantis is a prime-time network series, and it features man adult themes. For example, in this story, C.W. exhibits heightened sexual confidence and beds a gangster's girl. There are scenes of them in her hotel bedroom, before and after sex.
So as much as we might want to write this series off as "kids vid," neither history nor the particulars of this episode bear out that explanation.
Next
episode: “Scavenger Hunt.”
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