Godzilla Week: Godzilla - King of Monsters (Marvel; 1977)

Comic Book of the Week: Miss America (Marvel Comics)

2010 Comic Book (Marvel Edition)

Comic Book of the Week: Gargoyles (Marvel)

Comic Book of the Week: Krull (A Marvel Super Special)

Comic-Book of the Week: Jaws 2 (Marvel; 1978)

Comic Book of the Week: Captain Planet and the Planeteers (Marvel)

Hook Comic Book (Marvel; 1991)

Pop Art: Doctor Who (Fourth Doctor): Marvel Edition

Buck Rogers in the 25th Century Marvel Comics Giant Movie Edition

Comic-Book of the Week: Man from Atlantis (Marvel Edition)

Comic-Book of the Week: Ideal STAR Team (Marvel Edition)

Pop Art: Dune (Marvel Edition)

Pop Art: RoboCop (Marvel Edition)

Pop Art: Dynomutt (Marvel Edition)

Beach Week: Comic Book of the Week: Jaws 2 (Marvel; 1978)

At Flashbak: Cardboard Universe -- The Amsco Adventure Playsets of the 1970s

Another Flashbak I posted this week looks at some of my favorite toys of the disco decade -- the Amsco cardboard playsets.

Here's a snippet and the url (http://flashbak.com/cardboard-universe-remembering-amsco-playsets-1970s-34930/ )

"In the early-to-mid 1970s -- before Star Wars (1977) premiered -- Amsco (A Milton Bradley company) produced four colossal cardboard playsets that are highly-prized and extremely expensive collectibles today, all from popular franchises of that era.

These giant Amsco playsets came in large, colorful rectangular boxes, were constructed from "durable" cardboard and were "fun to assemble." 

Actually, if I recall right, they were all actually time-consuming and somewhat difficult to assemble, but that hardship was part of the fun too.

My favorite set of the bunch is the one I still own, and which has a place of honor in my home office.

It comes from Gerry and Sylvia Anderson's outer space epic, Space: 1999 (1975 – 1977) and is a diorama of Moonbase Alpha. The playset consists of a landing pad, two Eagle transporters, two atomic charges (for detonating asteroids that are on a collision course...), and a cross-section of Moonbase Alpha's computerized interior, including Main Mission tower. It even features an elevator that spans all three levels.

The set also includes several cardboard “heroes” to take on adventures, made in the likenesses of Martin Landau's Commander John Koenig, Barbara Bain's Dr. Helena Russell and Barry Morse's Professor Victor Bergman. Alas, the set was produced pre-Maya, so there's no Catherine Schell figure.

What's great about the set, however, is that there is at least a nod to accuracy. For instance, three cardboard figures here are "aliens" featured in specific Year One episodes: Peter Cushing's Raan, from "Missing Link,” The cyclops monster from "Dragon's Domain" (arguably the most popular episode of the series), and even what could be the scorched Anton Zoref (Ian McShane) from “Force of Life.”

The second Amsco Cardboard Playset recreates the universe of the original Planet of the Apes films and TV series (from 1974).  Here you get a "Cave of the Doomsday Bomb," which is straight out of Beneath the Planet of the Apes (1971). The Alpha-Omega bomb is perched right on its altar, if you build the set correctly.

Continued at Flashbak.

Guest Post: The Avengers: Age of Ultron (2015)

Good Adventure Fun...But Not Great

The Avengers: Age of Ultron

By Jonas Schwartz

It’s ironic that the theme of Frankenstein and his creation runs through Marvel’s Avengers: Age Of Ultron because the plot has been cobbled together by old tropes like Ghost in the Machine, Lawnmower Man, Stephen King’s IT, Mary Shelley’s classic, and several episodes of the film’s director Joss Whedon’s landmark Buffy the Vampire Slayer.

There’s a lack of inspiration in the second Avengers, or at least that patented Joss Whedon genius that made the first film so lively is missing. The action scenes lack punch. Luckily the script still contains Whedon’s witty dialogue, and the film contains a wicked performance by James Spader.

After a complicated mission leaves the team frazzled, Tony Stark (Robert Downey Jr.) decides this is the perfect time for a robotic savior, one who can keep the planet safe. He and Bruce Banner (Mark Ruffalo) bring Ultron on-board, but immediately, the Artificial Intelligence (Spader) declares war on The Avengers. Believing that the world would work better without humanity, he makes it his mission to destroy the planet. His army of robots put each member to the test.

The film’s energy cranks up every time Spader speaks. His voice -- knowing, angry and a bit afraid -- is both menacing and childlike. The animation and mechanical engineers responsible for Ultron’s look and movement capture Spader’s subtleties. The robot’s features moves like Spader’s would, so that the audience forgets there is no man in the machine. Though only a voice and scrap metal, Spader’s Ultron towers over all the other characters.

Ruffalo and Downey Jr. have always brought realism to their characters, not allowing the comic book tales to dissolve into cartoon. They bring that same aplomb to this film. The rest of the cast seems tired in their roles. Their line readings are wooden. Of the newcomers, Elizabeth Olsen brings pathos to Wanda Maximoff, the medically enhanced agent filled with hatred for the Stark family, who can manipulate memories, yet her Eastern European accent wavers.

Whedon directs the many battles with clever camerawork and editing, but the scenes get monotonous. The plot feels inconsequential. Even with the human race in jeopardy, the stakes have no gravity. On the positive side, Whedon’s trademark quips and asides brings levity to even intense action sequences. He allows his characters to be silly without selling them out.

Avengers: Age Of Ultron can claim to be one of the better Marvel Sequels. With the exception of Iron Man 3, which may actually be better than the first Iron Man, most of the sequels were directed by second-string directors (like Thor 2’s Alan Taylor). Avengers 2 has more spark than those films. However it also lacks the fan boy euphoria that Joss Whedon usually brings.  He normally creates a new universe but here he’s retreaded old territory. It’s enjoyable a first time, but it doesn’t make you want to rush back and see it again. Grade: B

Jonas Schwartz is a voting member of the Los Angeles Drama Critics, and the West Coast Critic for TheaterMania. Check out his “Jonasat the Movies” reviews at Maryland Nightlife.

Coming Soon: The Fantastic Four (2015)

Pop Art: Star Trek: The Motion Picture (1979) (Marvel Edition)