JLA Week: Justice League: "The Enemy Below" (December 3, December 10, 2001)

“The Enemy Below” is a first season episode of Justice League (2001 - ) that has the distinction of introducing Aquaman to the prime-time TV series (if not the titular organization).

In “The Enemy Below,” a U.S. nuclear submarine, the Defiant, comes under attack by an advanced vessel. This underwater vehicle belongs to Aquaman, King of Atlantis, who is protecting his borders from invasion. He has no use for “surface dwellers.”

But Aquaman soon has greater problems to contend with: treason. His own brother, Orm, attempts to murder him, and kill his son, the rightful heir to the Kingdom of Atlantis.

The Justice League intervenes to help Aquaman, who must now stop a “doomsday” device from destroying the surface world.

Look at what they’ve done to Aqauman! In the 1960’s and 1970’s Aquaman was a blond haired, friendly superhero who could communicate with the animals of the sea. He was wholesome and kind, and basically -- down to the curl in his golden hair -- an underwater, blond version of Superman.

But the upshot was that some people made fun of the character, and felt he wasn't edgy, or angsty enough.  He was the butt of many jokes.

So the original portrayal changed in the 1990’s. Aquaman developed an attitude, grew long hair, and acquired a hook for one hand.  

This episode of Justice League follows on with that modern portrayal.  It depicts a Namor-like, arrogant individual who wears the heavy weight of ruling Atlantis on his shoulders, and clearly lacks for the social niceties. And, in the course of the two part “The Enemy Below,” we see the incident that costs him a hand.  Here, in the act of saving his son, he must cut it off.  He later acquires the hook.

As far as communicating with animals goes, this Aquaman does call for the assistance of an Orca during one climactic moment, but we don’t see any psychic waves emanating from his head (as was the case on The Super Friends in the 1970’s).

This Aquaman is so attitudinal that he gruffly pushes Wonder Woman aside -- without so much as an "excuse me" - and even, by episode’s end, doesn’t fully trust the surface dwellers. In the original continuity, if I remember correctly, Aquaman was one of the founding members, actually of the JLA.

As I noted in my review of "Secret Origins" earlier today, the writers of Justice League apparently found it necessary to cause Superman incredible pain on a regular basis in an effort to humanize the character and show that he wasn't a God. In this story, Superman is constantly being zapped and hurt by Atlantean weaponry, so we can't assume that he is invincible. Again, I will say that this approach doesn’t really work. Once you realize what the writers are up to, it becomes something of a joke that Superman is constantly being battered and blasted.

Man of Steel…magnet for pain.

   

JLA Week: Justice League: "Secret Origins" (November 17, 2001)

In the fall of 2001 -- on the WB -- the Justice League was finally about to be done….justice? 

On Monday nights at 9:30 pm that autumn, many beloved D.C. heroes came together for two dozen adventures of action and excitement. This was Justice League, from producers Rich Fogel and Bruce Timm, and it was supposed to be a far cry from The Super Friends of the 1970’s.

No Wonder Dog.

No Wonder Twins.

No Wendy or Marvin.

No “That’s what you think!”-styled dialogue.

Instead, the focus was to be on the D.C. Universe and an adult rendering of the League characters.  

The protagonists featured in each half-hour episode were Batman, Superman, Jon Stewart (Green Lantern), Wonder Woman, Hawk Girl, Flash, and Martian Manhunter, who was introduced to the team in the pilot, “Secret Origins.”

The story of “Secret Origins” follows an attack on Earth by a race of alien parasites controlled by an intelligence called “the Imperium.” Martian Manhunter arrives on Earth to warn our planet of the extreme danger, since his culture was destroyed by this race.  

Soon, it’s all-out war, with only the superheroes to save mankind from subjugation.

At the end of the tale, the aliens are defeated and a Justice League is proposed, “like a bunch of Super Friends,” according to the dialogue.  

“More like a…Justice League,” is the appropriate response.

Although grand in concept and in action, The Justice League is not the pure triumph it might have been because of the extreme focus on action, rather than on character. 

This weakness is plain in “Secret Origins.” It rivals The War of the Worlds, or at least Independence Day (1996) in terms of scope and ambition, but the characters are given short shrift. Hawk Girl and the Flash just show up, with no back-story or history to help us get to know them

Only two heroes -- Martian Manhunter, and Wonder Woman -- are given much by means of “secret origins” in this tale.  We learn here the tragic history of J’onn J’onz on Mars, and also the story of Wonder Woman leaving Paradise Island.  

When she first sees the superheroes, Green Lantern asks “Who’s the rookie in the tiara?”

So Wonder Woman is, in essence, in this series, a novice superhero.

Batman and Superman are “in character,” here, meaning that they behave in ways that mark them as individual and distinctive people, but they still don’t get a lot of interesting things to say or do.  At the very least, they don’t announce what they are doing, all the time, like the characters did on The Super Friends.

“Secret Origins” features some scenes at the UN involving a protest about weapons of mass destruction, making it particularly timely for the turn of the century, and the soon-to-be Age of 9/11. 

Here Superman repeats his actions from the feature film Superman IV: The Quest for Peace (1987), disarming the nuclear weapons of the world, only to see the interference back-fire. 

The Imperium arrives, and Earthlings can’t defend themselves without their nukes. So, make no mistake, this first episode of Justice League is a social commentary about the need to maintain an arsenal of weapons of mass destruction. 

Who knows when the next super villain plots to invade the planet, or our nation?  At least that seems to be the undercurrent here.

Superman’s act of kindness and peace is viewed as misguided and having the opposite effect.  The impact is to humanize the character (and reveal his flaws), but again, it’s strange that the writers picked this particular lesson since it was, indeed, the very lesson of Quest for Peace, which isn’t exactly considered a high point in the D.C. movie-verse.

Re-watching Justice League this time (in 2017), I noticed that the writers make special pains to give Superman feet of clay, so that he is "relatable" as a character, and not a God Incarnate.  In this episode, for example, the Man of Steel is almost constantly undergoing "pain" from mental contact with Martian Manhunter. He is always doubling over, collapsing, and grimacing.  I'm not sure it really works in terms of the character.

The great thing about “Secret Origins,” I suppose, is that it is action-packed, and each character gets a moment to shine…violently. We understand, from the visuals, exactly what each hero brings to the table, in terms of abilities, and strength.  

At the time the series aired, I watched it religiously, but came away, after the first season, feeling that, again, an opportunity not been fully exploited.  This is a more faithful take on the D.C. Justice League than we have yet seen, but I'm not sure that it accomplishes that meme of doing the team members "justice."  I know the series is very highly-regarded by fans, but on a re-watch I found the constant focus on action to, actually, sort of dull.

JLA Week: Justice League Intro (2001)